| U | |||
| V | Top of page | ||
| Vertreace, Martha Modena | Caffe Florian | 6 | 2 |
| The end is not yet | 6 | 2 | |
| Origami hawk | 8 | 7 | |
| Ode to Sonoma Spring | 23 | 5 | |
| W | |||
| Walker, Ruth | Midday train | 11 | 2 |
| In time | 14 | 1 | |
| The choice | 16 | 7 | |
| Misericords | 25 | 6 | |
| Fallen | 25 | 8 | |
| East Sands | 23 | 5 | |
| Discovery | 35 | 1 | |
| Wallis, Maggie | I am Scotland | 24 | 1 |
| Wallis, Steve | Working title | 8 | 8 |
| Watt, Bill | Hurdy Gurdy | 28 | 3 |
| Watt, Douglas A | Scottish clouds, Athelstaneford | 16 | 5 |
| Rosslin Chapel | 16 | 6 | |
| Bees | 16 | 7 | |
| Jimmy | 18 | 7 | |
| Birchland | 20 | 4 | |
| The history of moments | 20 | 5 | |
| Again the clouds | 20 | 12 | |
| Glenmuick of Dunmail | 23 | 4 | |
| Werewolf hunting in the Den | 23 | 7 | |
| Words of gaelic | 23 | 8 | |
| The poet imagines his Nova Scotia | 27 | 2 | |
| Vasectomy on St Andrews Day | 30 | 2 | |
| Dark Ages | 40 | 5 | |
| Watts, Jason | Register | 21 | 5 |
| Freedom | 30 | 2 | |
| An old photograph | 37 | 1 | |
| Cucko Pint fairy tale | 37 | 1 | |
| Weldon, Maureen | Far in West Cork - and long ago friends | 9 | 2 |
| The ship | 10 | 1 | |
| Chester - and a dance with ashes | 10 | 2 | |
| Acceptance | 14 | 2 | |
| Long evening - and a man who writes about dogs | 17 | 5 | |
| Small seaside cottage in East Cork | 17 | 5 | |
| Like soap bubbles | 18 | 3 | |
| The costume ghost | 18 | 6 | |
| Do not believe all | 19 | 1 | |
| Tonight the world has changed | 19 | 1 | |
| Rubbish | 22 | 1 | |
| Like soap bubbles | 24 | 1 | |
| Memory | 24 | 2 | |
| Knitting man | 27 | 7 | |
| Half way house | 31 | 4 | |
| To change these hours | 37 | 4 | |
| Song from Dublin Bay | 37 | 4 | |
| Loneliness | 37 | 4 | |
| On being asked my age | 41 | 4 | |
| Husband | 41 | 4 | |
| Gone | 41 | 4 | |
| Welsh, Helen | Hospital tulips | 31 | 4 |
| Van Gogh and Gauguin | 40 | 6 | |
| Weston, Andrew | This old book | 20 | 8 |
| Weston, John | Antidote | 30 | 6 |
| A wing and a prayer | 30 | 8 | |
| Chinese | 31 | 5 | |
| Fixed points | 32 | 6 | |
| White, Ian Nimmo | Night driving | 12 | 7 |
| White, Kenneth | What Enid Starkie didn't know | 17 | 1 |
| Whitehead, A.K. | Fort William | 11 | 3 |
| Whitehead, John | Kicking G. Gordon B. | 19 | 3 |
| Whyte, Christopher | Chan Urrainn Dhomh | 4 | 3 |
| An Rioban Dearg | 5 | 7 | |
| Gur Beannaichte Am Mios | 9 | 3 | |
| Gum bitheadh tu a'feitheamh aig an doras | 12 | 3 | |
| Whyte, Hamish | Pastoral | 5 | 3 |
| Tuscan haiku | 13 | 5 | |
| Tuscan haiku II | 18 | 2 | |
| Wilding, Jayne | Blossom near the embankment | 6 | 1 |
| Mairi | 7 | 1 | |
| In the moon's pantry | 15 | 1 | |
| On the road | 15 | 2 | |
| The crows | 15 | 7 | |
| Hot house | 15 | 10 | |
| The grace dogs | 15 | 12 | |
| Portobello Poems | 23 | 2 | |
| Wilkie, Pamela | Snake keeper | 3 | 1 |
| Sterner stuff | 3 | 2 | |
| Easter 1999 | 8 | 8 | |
| Laughing matters | 16 | 8 | |
| Coma | 16 | 8 | |
| Will, Colin | Last stop on the cobbler | 1 | 1 |
| Ahab's version | 1 | 1 | |
| Beinn Ime | 1 | 2 | |
| haiku | 3 | 2 | |
| haiku | 3 | 4 | |
| Scottish Poets Picnic Report | 5 | 7 | |
| Judging nature poetry | 7 | 2 | |
| LEM | 8 | 2 | |
| Optimistic, yes? | 9 | 7 | |
| The hide | 12 | 7 | |
| Cairngorm lift | 14 | 12 | |
| Hedderwick | 18 | 6 | |
| Seven moons | 18 | 7 | |
| Night-lights | 24 | 2 | |
| Winterlude | 24 | 3 | |
| Sounds of spring | 28 | 1 | |
| Sparrowfall | 28 | 1 | |
| venerable cherry | 32 | 1 | |
| Fuji-San | 35 | 3 | |
| Williams, Merryn | Moonlight | 12 | 3 |
| Looking at Snow White | 12 | 3 | |
| Deepwater | 19 | 7 | |
| Blood donor | 19 | 7 | |
| All Souls | 23 | 7 | |
| The trappings and the suits of woe | 31 | 1 | |
| Superstition | 32 | 7 | |
| Willoughby, Cassandra | An odd assortment of horses | 11 | 2 |
| Enchanted wood | 28 | 4 | |
| Wilson, Jim C. | Woman, Central Scotland | 7 | 4 |
| Tree triolet | 7 | 4 | |
| The clock's hands close to midnight | 9 | 8 | |
| Bestiary | 11 | 6 | |
| Listening | 11 | 7 | |
| Watermarks | 13 | 5 | |
| A love miscellany | 16 | 1 | |
| Medusa | 19 | 7 | |
| Sapphic | 19 | 12 | |
| Englyn for Emily | 20 | 2 | |
| Without a poem | 22 | 1 | |
| October song | 25 | 9 | |
| untitled | 27 | 1 | |
| untitled | 37 | 3 | |
| untitled | 37 | 4 | |
| Mr MacCaig came to Sirling | 38 | 4 | |
| Wilson, John | Ye canna eat floores' | 20 | 12 |
| They twa rascals | 32 | 6 | |
| Wilson, Juliet | Café artist | 10 | 1 |
| To Blantyre | 11 | 5 | |
| Dedication | 18 | 2 | |
| Strange fire | 20 | 5 | |
| Saving face | 21 | 5 | |
| Housed | 28 | 3 | |
| Stealing from Shakespeare | 32 | 1 | |
| Polish for beginners | 32 | 8 | |
| Fragment | 41 | 3 | |
| Wordless | 41 | 3 | |
| Wilson, Philip J. | Death of a Dalesman | 20 | 5 |
| Wilson, Robert | The last sea eagle | 38 | 2 |
| Winter, Jack | Prologue+B1045 | 6 | 4 |
| Epilogue | 6 | 4 | |
| Wong, Cyril | The expectation | 36 | 2 |
| Foetus | 37 | 1 | |
| Woollard, Fiona | Female solidarity | 19 | 2 |
| Wright, Howard | Homework | 11 | 2 |
| The computer sweet | 12 | 7 | |
| The Summer Isles | 15 | 11 | |
| The Pier Lounge Bar | 15 | 11 | |
| Kingdoms | 16 | 8 | |
| Predators | 16 | 8 | |
| From the big book of happenstance | 19 | 7 | |
| Buying an echo | 22 | 6 | |
| Small talk | 23 | 2 | |
| Morning Coffee | 23 | 2 | |
| The Friendly | 23 | 2 | |
| Love-lost | 27 | 8 | |
| A4 | 27 | 8 | |
| Leaves | 37 | 4 | |
| Wycherley, Lynne | Soay | 11 | 1 |
| Sgurr Beag | 11 | 2 | |
| Loch Eishort | 11 | 4 | |
| Kingfisher | 11 | 6 | |
| Foetal scan | 16 | 8 | |
| On Midsummer Hill | 18 | 3 | |
| XYZ | Top of page | ||
| Young, Catriona | Spare tyre | 18 | 8 |
| Anon | Holly and ivy made a great party | 24 | 4 |
| The Lord's Prayer in Manx | 24 | 3 | |
| Renga chain | 16 | 5 | |
| Simmering heat (renga) | 28 | 2 | |
| Renga | 28 | 2 | |
| Snowy Fuji (kasen email renku) | 35 | 2 | |
| Poetry in Practice (renga) | 41 | 2 | |